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Ryan SIlverman - Vest CHOICE.JPEG

Ryan Silverman

Joshua Bell is an award winning violinist

Ryan Silverman

Worldwide Management

RYAN SILVERMAN starred in Side Show on Broadway for which he received a Drama Desk nomination for Best Actor. Other Broadway credits include star turns as Billy Flynn in Chicago and Raoul in The Phantom of the Opera.  Silverman received Drama Desk and Drama League nomination for his performance as Giorgio in CSC’s production of Passion.  He has appeared at the Kennedy Center as  Sir Lancelot alongside Brian Stokes Mitchell in Camelot and as Terry Connor in Side Show.  Internationally, Silverman has starred in the Theatre du Chatelet’s acclaimed production of Passion opposite Natalie Dessay and as Tony in the Olivier nominated 2008 West End production of West Side Story. Silverman also recently starred in the concert version of West Side Story with the Philadelphia Orchestra and in The Golden Apple at City Center Encores!  

Other credits include Cry-Baby  on Broadway, Finian’s Rainbow (Irish Repertory Theater),  and The Most Happy Fella  at New York City Opera.  He recently made his debut at Papermill starring in Ken Ludwig’s play, “A Comedy of Tenors”.  Silverman starred as Sky in the 1st National tour of Mamma Mia!, and Jose in the world premiere of the new musical Carmen at La Jolla Playhouse.  Silverman played the role of Rapunzel’s Prince in Into The Woods at the MUNY. 

Regional credits include Thoroughly Modern Millie (Jimmy), Cinderella (Prince), Grease! (Danny), Hello Dolly! (Cornelius), Assassins (John Wilkes Booth), Sweeney Todd (Anthony), Forever Plaid (Smudge), and Blood Brothers (Eddie Lyons). TV and film: Good Fight, Gossip Girl, The 5 Minarets Of New York, Sex and the City 2, True Blood. Silverman has performed his club act the Café Carlyle (month long residency) and Feinstein’s at the Regency. Concert performances with: The New York Pops (Carnegie Hall), Seattle Symphony with Marvin Hamlisch, Philadelphia Orchestra, Philly Pops, Vancouver Symphony, The Cincinnati Pops, Utah Symphony, Houston Symphony, Detroit Symphony, Edmonton Symphony, among others.  

If there’s a smoother, more assured bari-tenor, leading-man theatre voice at the moment, we don’t know it. Silverman would seem to be poised to be more than just a pop-opera theatre star (he was a Raoul in The Phantom of the Opera and was cast as Maxim De Winter in the stalled Rebecca – The Musical). He can truly swing, charm and flirt.
Is anyone writing a musical about Dean Martin? Here’s your star.
— Kenneth Jones, managing editor of Playbill